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LOT 29:
[VIEIRA (Pe. António) ]. ARTE de Furtar. Amsterdam [Lisboa?]. 1744.
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[VIEIRA (Pe. António) ]. ARTE de Furtar. Amsterdam [Lisboa?]. 1744.
[VIEIRA (Pe. António) ]
ARTE de Furtar. Espelho de Enganos, Theatro de Verdades, Mostrador de Horas Minguadas, Gazua Geral dos Reynos de Portugal [...]. Composta no anno de 1652 pelo Padre Antonio Vieyra. Correcta, e emendada de muitos erros; e assim tambem a verá o curioso leytor com as palavras, e regras, que por inadvertencia faltarão na passada impressão.. Amsterdam [Lisboa?]: Na Officina de Martinho Schagen [?], 1744.
*8, **4, A-Z, Aa-Hh8, Ii6; [24]-508 pp., 1 retrato: il.; 220 mm. Ful calf; red edges; clean.
Inocêncio, in his first two articles referring to the Art of Furtar, deals only with the problem of the authorship of the work, now irrefutably taken from the pen of the great preacher and written by one of his many opponents. However, Brito Aranha, in the supplement, gives us more information about the various editions of this work, revealing that it is, so to speak, the first of the second editions. The differences are in the frontispiece which, in the first variant, has the "E" of «Mirror" in type slightly smaller than the rest of the word, as well as the location of the date, below the "De" of the expression «Na Officina de Martinho Schagen.” The second variant has the date fixed by Brito Aranha in 1745, one year after the present one.
¶ Inocêncio, v.1,p. 306; idem, v.8, p. 329; idem, v. 22, p. 433; Exp. António Vieira, 222
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